Kodak's missed moment
An exploration of Kodak's history, its impact on culture, and its struggle to reinvent itself in the digital age.
![](https://cdn.theatlantic.com/thumbor/q_4kD6KRLErG5iwc1Xo8ij475gU=/0x43:2000x1085/960x500/media/img/2021/06/WEL_Tiffany_KodakOpenerAlt-1/original.jpg)
An exploration of Kodak's history, its impact on culture, and its struggle to reinvent itself in the digital age.
This is all stuff I use or have used and still recommend as of publishing. * Black Octopus Sound has a 1GB royalty-free sampler. This was my go-to pack when I was just starting out and couldn't afford anything. * Sonniss has a huge collection of free and royalty-free sound
A DAW, or Digital Audio Workstation, is a big, fancy environment for working with sound. The common truism is, to an extent, true: you can do anything in any DAW. But the more advanced you get, or the more niche your need, the more friction you'll encounter if
Just a little note to get this all in one place. This was prompted by my comment here: On-demand was a thing before, but it was mediated through slow, glitchy cable and satellite boxes. There was also a thriving scene of RSS-delivered web TV shows. * The technology (RSS) that delivers
"When someone shows you who they are, believe them the first time." - Maya Angelou It's the same case made against Twitter, Facebook, Instagram, and every other profit-focused social media silo. And every time, the case is right. I'm going to call it Facebook,